

EDUCATION
2011–2016 History of Art & Architecture Department, Boston University
Ph.D.; Jan and Warren Adelson Fellow in American Art
Specialization: American art, history of architecture, and photography
2004–2006 Winterthur Program in Material Culture, University of Delaware
M.A.; Lois F. McNeil Fellow
Museum Studies Certificate
2000–2004 Boston University
B.A., Magna cum Laude
Double Major: Art History & United States History
Courses Taught

ACADEMIC AND POSTDOCTORAL FELLOWSHIP POSITIONS
January 2019-Present, Research Associate, Art History Program, Department of Art & Art History, University of California, Davis
Research and writing projects, including first and second books
January–June 2025, Department of Art & Art History, Georgetown University
Adjunct Faculty, Art and Diplomacy course
July 2023–June 2024, National Endowment for the Humanities Fellowship
Writing second book, Thérèse Bonney and the Power of Global Syndicated Photography
September 2022-June 2023, NEH Long-Term Fellowship, Center for Research in the Humanities, New York Public Library
Writing second book, Thérèse Bonney and the Power of Global Syndicated Photography
September 2021-August 2022, Kluge Fellowship, The John W. Kluge Center, Library of Congress
Writing second book, Thérèse Bonney and the Power of Global Syndicated Photography
March 2022, University of Maryland
Guest Lecturer, Mining the Visual Culture of the Great Depression course
September 2020–August 2021, Judith B. and Burton P. Resnick Postdoctoral Fellowship and Research Associate, Mandel Center for Advanced Holocaust Studies, US Holocaust Memorial Museum
Writing second book, Thérèse Bonney and the Power of Global Syndicated Photography
September 2019-August 2020, Terra Foundation Fellowship, Smithsonian American Art Museum
Completed first book, MoMA Goes to Paris in 1938: Building and Politicizing American Art
January–May 2018, University of California, Davis
Lecturer, Cultural History of Museums, Art in America to 1910 (invited)
August 2016–May 2019, San José State University
Lecturer, History and Theory of Graphic Design, Materiality of Contemporary Art, Contemporary Architecture, Modern Architecture, Material Culture and Interior Design, and Art of the Americas (invited)
May–June 2013, Boston University
Instructor, History of Art, Renaissance to Modern
August 2012–May 2013, Boston University
Teaching Fellow, History of Art Survey
March 2011, Smithsonian Master’s Program
Guest Lecturer, The Virginia Plantation Then and Now: Material Life and Interpretation course
Craft & Modernity exhibition

CURATORIAL POSITIONS
Planned exhibition, Curator, Thérèse Bonney’s Photography
· Gather Bonney’s photography across subject areas for the first time
· Draw on the UC Berkeley’s Bancroft Library archival holdings to explore Bonney’s positioning of herself and her work
· Generate a catalogue with commissioned essays on eclectic modernism, women artists, and war photography
January 1–December 31, 2014 Boston University Art Gallery
Curator, Craft & Modernity: Professional Women Artists in Boston (1890–1920)
· Conceived and organized exhibition of approximately 150 prints, posters, photographs, and ceramics
· Organizer and moderator of panel Reconsidering Craft: Its History and Practice (November 2014)
· Lead author and editor of 60-page catalogue
May 2012–June 2013 Museum of Fine Arts, Boston
Graduate Research Intern, Art of the Americas, Painting & Decorative Arts departments
· Wrote entries on nineteenth-century American paintings for web-based catalogue
· Researched paintings, furniture, and architecture for Made in the Americas exhibition
· Organized and researched 30 Afro-Brazilian and African American paintings in the Axelrod Collection
August 2006–August 2011 Gunston Hall, Mason Neck, VA
Curator of the 1750s historic house of George Mason
Collection Development and Research
· Oversaw interpretation and presentation of 15 period rooms, 4,000 artworks, and Gallery Space in Visitor’s Center; strengthened the American and European collection of decorative arts
· Oversaw million-dollar acquisition fund; acquired nearly 50 sets of objects; deaccessioned and sold over 100 objects
Teaching and Exhibitions
· Conceived and organized five symposia with preeminent speakers
· Wrote and trained guides to give Architecture in the Afternoons tour
· Exhibitions: Interpret the Imports (2008) and Look at the Locals (2007)
Key Mansion Restoration Projects (7 total)
· Acquired last remaining period portraits of George and Ann Mason
· Installed period-appropriate fabric to walls, gilt fillet, and gilded beaufats in Palladian Room
· Restored original walnut features throughout first floor
Management and Development
· Served as curatorial liaison to Board of Regents; supervised Historic Housekeeper and interns
· Prepared budgets for Collections and Restoration Board Committees; monitored funds and timelines for projects
· Raised funding from trustees and foundations
· Oversaw photo shoots; provided tours to scholars and special groups from Colonial Williamsburg, Decorative Arts Trust, Smithsonian Associates, Montpelier’s Board Members, and Colonial Dames of America
September 2004–August 2006 Winterthur Museum
Museum Guide, gave four thematic public tours
Internship with Anne Verplanck, Curator of Prints and Paintings
· Researched and wrote Classicism, Science and the New World print exhibition, on view Spring–Fall 2006
· Catalogued Frank Sommer Collection of prints and drawings (1650–1970)
Internship with Wendy Cooper, Curator of Furniture
· Curatorial assistant, assisted in research and organized furniture slide library
Directed Study with Brock Jobe, Professor of American Decorative Arts
· Studied construction techniques, stylistic choices, and wood preferences of eighteenth-century American high chests, focusing on regional characteristics
January–May 2004 Isabella Stewart Gardner Museum, Boston, MA, intern in Education Department
Summers 1997–1999 Cincinnati Art Museum, Cincinnati, OH, high school intern in Education Department
Gunston Hall acquisitions & restorations